Naked Outside starts with a shot taken in Strasbourg, while a mammoth van full of friends was trying to get out of the parking lot next to the European Parliament. During the impossible manoeuvre, a crane stands out within the skeleton of a building under construction. Its geometric clarity, sharp contrast and involuntary protagonism make me immediately understand that the photo is a border story.
So I crossed the border, while throwing inside myself the scene of a crane hidden into its palace. The Naked Outside series tells about that boundary between the inside and the outside which exposes intimacy. It is about the need to create conventions and protection, portioned personal spaces where we can move through spontaneous nudity, which always breaks in silently, timidly, but without any rule. An uncontrolled need to get out and feel the nude that only reveals itself to get dressed. And thus, inside and outside, simple nudity is revealed to our eyes.